May 6 – July 23, 2016
in conjunction with The Furniture Society annual conference, Craft-Facturing on June 23-25, 2016.
As Albert LeCoff, co-founder and executive director of the Center, describes it, “The innovative responses to the call for chairs reflects and documents our world in the first quarter of the 21st century. Responses to the call included drawings, models, prints, videos and a chair installation incorporating sound and projected lights.”
A jury of distinguished curators and artists selected 45 works from 39 artists including 7 students. The exhibition, On the Edge of Your Seat: Chairs for the 21st Century, coincides with The Furniture Society’s annual conference in Philadelphia June 23 – 26, 2016.
Philadelphia has been a center of furniture making since before the American Revolution. The “Rising Sun Chair,” made by John Folwell in 1779, was used by George Washington for nearly three months of the Federal Convention’s continuous sessions in Philadelphia1. Accompanying the exhibition will be a richly-illustrated catalog with juror essays and statements by each of the artists on their sources of inspiration and creativity. Setting this new work in context is a comprehensive essay on the evolution of Philadelphia chairs, the makers and their significance in furniture history by Joshua Lane, the Lois F. and Henry S. McNeil Curator of Furniture, Winterthur Museum, Garden & Library.
Jurors for the exhibition included Nora Atkinson, Lloyd Herman Curator of Craft at the Smithsonian American Art Museum Renwick Gallery, Washington, D.C; Jasper Brinton, designer and woodworker, Principal, Brinton Design, Phoenixville, PA; Benjamin Colman, Associate Curator of American Art at the Detroit Institute of Arts; and Susie J. Silbert, Curator of Modern and Contemporary Glass, The Corning Museum of Glass. Reflecting on the submissions for the exhibition, Brinton said, “I think it vital we acknowledge those brave artists who blaze ahead undaunted at times able to work unexpected materials effectively sympathetically discovering effects that are fresh pristine as they stumble across the doorstep of the future.”
Exhibiting artists include: Jennifer Anderson, Justin G. Bailey, Bob Brox, Stoel Burrowes, Sheri Crider & Nina Dubois, Alicia Dietz, Jack R. Elliott, Dugan Essick, Adrian Ferrazzutti, Amy Forsyth, Jordan Gehman, Sophie Glenn, Tad Gloeckler, Doug Jones & Carrie Compton, Lauren Kalman, Patrick Kana, David Knopp, Beth Krensky, Joseph G. La Macchia, Jack Larimore, Po Shun Leong, Laura Mays, Christine Mei, Taiji Miyasaka & Darrin Griechen, Mira Nakashima, Christy Oates, Keunho Peter Park, Gord Peteran, Dean Pulver, Andrew Jay Rumpler, Fabiano Sarra, Matt Selnick, Mark Sfirri, Michaela Stone, Joshua Torbick, Misha Volf, and Takahiro Yoshino
Exhibition funding by Diane and Mac Grainer, Moderne Gallery, Penn State Industries, and Schiffer Publishing. Additional support provided by the Cambium Circle members of The Center for Art in Wood, The Bresler Family Foundation, Pennsylvania Council on the Arts, Philadelphia Cultural Fund, William Penn Foundation and Windgate Chariutable Foundation. In-kind support provided by Robust Tools, Inc. and Signarama Center City.
Special thanks to our Chairs Crowdfunding Donors: Anonymous, Jennifer Anderson, Lynn Auerbach-Kaplan, Gary Baum, Jasper Brinton, Phillip Brown,Ted Bruning, Stoel Burrowes, Meredith Carpenter, Radcliffe Cheston, Helen Churko, Jay Cox, Susan Ellerin, Ashley Eriksmoen, Rita and Richard R. Goldberg, Lisa and Jacob Hodsdon, Gabrielle and Fred Kaplan-Mayer, Leslie Kaufman, Pamela Kerr, Silas Kopf, Leonard Kreppel, Neil Kugelman, Levi Landis, Jack Larimore, Tina and Albert LeCoff, Chris Madden and Alan Lecoff, Carol LeCoff, Zena LeCoff, Phyllis Libby, Linda Marshall, Gwen and Jerry Paulson, Gina Principato, Hope Punnett, Terri Sharif, Katie Sorenson, Pearl Stein, Davira S. Taragin
A detailed checklist of the 45 artworks and digital images are available upon request.
Exhibition tour: August 2016–December 2018
Insurance: The borrowing institution will be required to insure work on site and provide a Facilities
Report and Certificate of Insurance before the contract is finalized.
Space required: Minimum of 2,200 square feet
Fee: The tentative rental fee of $25,000 provides digital files for object labels, graphic panels, and
narrative text, and shipping to and from your site, and 20 copies of the exhibition catalog. Additional
copies of the catalog will be available to venues at a 40% discount.
For more information about the exhibition please contact Karen Schoenewaldt, Registrar
at [email protected]
Tentative Tour Schedule
Available in 3 month periods with a four week turnaround.
Length of exhibition period is negotiable
Please note 1st, 2nd and 3rd choice
May 6 – July 23, 2016 – The Center for Art in Wood
August – October 2016
Nov 2016 – January 2017
February – April 2017
May – July 2017
August – October 2017
Nov 2017 – Jan 2018
February – April 2018
May – July 2018
August – October 2018
Nov – December 2018